Writer/director Sophia Coppola's "Marie Antoinette" was booed at the Cannes film festival upon its release in 2006 for using contemporary music and atttudes in protraying the doomed 18th century queen of France. (COURTESY OF SONY)
In anticipation of M&D Playhouse upcoming production “Marie Antoinette,” by David Adjmi, on Sept. 29-Oct. 29, this is a good time to revisit writer/director Sophia Coppola’s own exploration of the doomed 18th century Queen of France. While the play and the 2006 film share the same title, subject and a modern feel, they are two different approaches on the subject matter.
Coppola’s “Marie Antoinette” was based on Lady Antonia Fraser’s biography “Marie Antoinette: The Journey,” which approached Antoinette’s story with empathy. This was something that appealed to Coppola who was coming off two films — “The Virgin Suicides” and “Lost in Translations” — that looked at lonely girls who felt trapped. Marie Antoinette may have led a pampered life, but the halls of Versailles were isolating ones.
Writer/director Sophia Coppola's "Marie Antoinette" was booed at the Cannes film festival upon its release in 2006 for using contemporary music and atttudes in protraying the doomed 18th century queen of France. (COURTESY OF SONY)
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Keep it Clean. Please avoid obscene, vulgar, lewd, racist or sexually-oriented language.
PLEASE TURN OFF YOUR CAPS LOCK.
Don't Threaten. Threats of harming another person will not be tolerated.
Be Truthful. Don't knowingly lie about anyone or anything.
Be Nice. No racism, sexism or any sort of -ism that is degrading to another person.
Be Proactive. Use the 'Report' link on each comment to let us know of abusive posts.
Share with Us. We'd love to hear eyewitness accounts, the history behind an article.