A Disney mermaid movie “The Lure” is not. “Help us come to shore,” sing its twoyoungmermaid sisters, Silver (Marta Mazurek) and Golden (Michalina Olszanska),in dulcetduet tothreedrunk revelers on the shore, and then: “We won’t eat you yet.” We shift to a techno beat and a sparkly, boozy cabaret,where thoserevelersarethe house band. In a back room, they examine their catch.“Smooth as Barbies down there,” oneof them marvels.Naturally, Silver and Goldencrush it asa sister act.
So beginseveralobsessionsinAgnieszka Smoczynska’s2015musical-horror-fairy tale,with screenplay by Robert Bolesto, which has garnered a slew of indy awards, including a Special Jury Prize for World Cinema at 2016’s Sundance.Gorgeously executed, conjured with stylish, savvymagical realism, “The Lure” is both a fable about identity – and theurgeto change it – and a critique ofaspecies prone to enchantment, fetishization, exploitation, and indifference. It screens at SPACE Gallery on April 12, and lovers of musicals, horror, and/or mermaids are in for some sexy, subversive fun.
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